Read The Name of the Rose By Umberto Eco

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The Name of the Rose-Umberto Eco

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Now a series starring John Turturro as William of Baskerville airing on SundanceTV Umberto Eco’s first novel, an international sensation and winner of the Premio Strega and the Prix Médicis Étranger awards The year is 1327. Benedictines in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon—all sharpened to a glistening edge by wry humor and a ferocious curiosity. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey, where “the most interesting things happen at night.” “Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers . . . Fascinating . . . ingenious . . . dazzling.” – Newsweek

Book The Name of the Rose Review :



I'm very tired and very exhausted by this book. But it was also very good.The nutshell is this is a murder mystery set in a fourteenth century Benedictine abbey, with Franciscan monk William of Baskerville and his Benedictine novice Adso of Melk on the case. And it's genuinely fun! A Holmesian romp set in medieval paranoia. But everything in this book is a conceit; the entire abbey vibrates with a deconstructive menace. Behind the beautifully described murals, the rich and perversely interesting history of the persecution of mendicant monks, and even the trappings of a wicked murder plot, there is a nagging metafiction suggestion that what you see is wrong, and darkness is inevitable.Honestly, I don't recommend this to everyone. This is my second Eco novel (after The Island of the Day Before), and this time around his writing is far more focused. That being said, Eco loves to indulge himself and deluge the reader with historical minutiae. The curious background character Salvatore speaks in an odd pidgin language, with mixes of bad Latin and whatever else he's happened upon. It's a book that requires work, and it is super easy to feel deflated when the climax hits. But I just spent two very enjoyable weeks chugging through it every night, intrigued by the tapestry, and I reckon I will think often about it for the upcoming months.Aside, as much as I appreciate Eco's erudite prose and keen eye for mixing philosophy, religion, and literature, I'm in awe of the translator, William Weaver. The English reads well and I can still feel the character of Umberto Eco -- and he had to contend with a mass web of Latin, French, German, and a lot of specialized medieval terms. I'm interested in the man behind the book, but I think I'm even more interested by the man in-between.
The mystery and the setting are intriguing. Much of the story, however, is weighed down by long, rambling, unnecessary descriptions and expositions. At first, some of them are interesting, but this book is nearly 600 pages long. It would have been much better if it were 350 pages. Instead of describing four or five items (like images on a church door or sacred relics) that give the reader a complete idea, the writer routinely literally describes 25-30 items, sometimes in long lists! The same occurs with historical details. What could effectively be said with precision becomes confusing, boring, and tedious because the writer is so circumlocutory.Also, there are entire parts of the book only in Latin. I became so frustrated with those excerpts, and with the book itself, that I quickly stopped translating them. I just skimmed through that.Most of the time I felt the author was focused on indulging in his own intellectuality instead of writing a good book. I wish I hadn’t wasted my time on it.

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